Keith Jarrett’s solo piano music – answers to the cloze exercise
| 1 whose | 11 highest-selling | 21 stamina |
| 2 primarily | 12 million | 22 concerts |
| 3 live | 13 developed | 23 have |
| 4 released | 14 syndrome | 24 development |
| 5 improvised | 15 stretches | 25 influenced |
| 6 unrehearsed | 16 practically | 26 previous |
| 7 develops | 17 nevertheless | 27 coherent |
| 8 masterpieces | 18 publicly | 28 recognisable |
| 9 self-indulgent | 19 concerned | 29 not only |
| 10 best-known | 20 concentration | 30 also |
Keith Jarrett is an American pianist born in 1945 whose 1 work belongs primarily 2 to the jazz genre. Jarrett is most famous for his live 3 solo piano performances, at least ten recordings of which have been released 4 as albums since 1973, and which continue today. Typically consisting of 1-3 tracks, each between 20 and 50 minutes long, these performances are completely improvised 5 and unrehearsed 6. Often progressing through a number of musical styles on the way (for instance gospel, folk, abstract classical), Jarrett develops 7 melodic, harmonic, textural and tonal ideas throughout each track in a manner that brings to mind the construction of classical music. Many are simply musical masterpieces 8. Some are somewhat self-indulgent 9. The ‘Cologne Concert‘, from 1975, is the best-known 10 example of such a solo recording. It is still one of the highest-selling 11 jazz albums of all time, having sold over three million 12 copies: a huge number for the genre.
In the mid-1990s, Jarrett developed 13 chronic fatigue syndrome 14 (CFS). As a result, he withdrew from public performance, and in fact was for long stretches 15 unable to play at all. During this period he managed to produce only one recorded album: ‘The Melody at Night with You‘. Recorded secretly as a Christmas present for his wife, this disc contains only short, simply-played jazz standards with practically 16 no improvisation. A pretty album, and one that was critically quite well received, ‘The Melody at Night with You‘ nevertheless 17 reveals how much Jarrett’s medical condition had restricted his abilities.
Jarrett began performing publicly 18 again at the end of the 1990s. Reportedly, Jarrett was concerned 19 that he would not be able to maintain the concentration 20 and stamina 21 required to perform extended solo concerts 22. He need not have 23 worried. Rather than halting it, Jarrett’s CFS appears only to have delayed briefly his continuing musical development 24. In 2002 in Japan he performed a series of solo concerts, using a different approach from his pre-CFS concerts. Rather than developing musical ideas through one extended improvisation, each performance consists of a larger number of shorter pieces, each between one and fifteen minutes long. Each piece is more self-contained, but influenced 25 in some way by the content of the previous 26 piece, so that the overall performances remain coherent 27. The pieces are performed in an extraordinary variety of styles, many not recognisable 28 as ‘jazz’ as usually understood. They are considered not only 29 among Jarrett’s greatest performances, but also 30 to rate among the finest recordings in all piano music.
A 2002 concert in Osaka was released in 2005 as the double album ‘Radiance‘ – that’s track 8 you can hear in the background – and a further live solo album ‘The Carnegie Hall Concert’ was released in 2006. So keep listening!